Home | Contact | About Us | |||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||
Photography |
||
|
****Hyperlinked titles will take you to our copy on sale or prebuilt searches of copies on sale**** Useful Links: Titles to Look Out For: |
|
Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay
|
About this book/synopsis: When the editor Carol Squiers compiled this book it was because there was a lack of a substantial body of writing on contemporary photography treating the entire spectrum of photographic practice as a process of signification - a study that would include an examination of all institutional production of photography, from newspaper and magazine photojournalism to images taken for purposes of surveillance to commercial wedding photography and amateur snapshooting. The goal of this book is to bring together writings on contemporary practice in photography that address a number of issues, from why certain photographic images are made, and to what ends they are put by those who commission them, to the way that feminist theory is being rethought in relation to woman-as-viewer. One guiding principle in selecting essays to reproduce and authors to commission - nearly half the essays were specially written for the book - was to enlist a wide range of theoretical and critical approaches. This sometimes meant looking outside the immediate community of writers who specialize in photography to find peopel who had considered related issues of representation. Chapters |
|
|
[top] | |
[top] |