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Cultural Studies | ||
In Pictures: | ****Hyperlinked titles will take you to our copy on sale or prebuilt searches of copies on sale**** Useful Links: Titles to Look Out For: |
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1992, Routledge, pbk Sorry, sold out, but click image above to access prebuilt search for this title on Amazon Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay Click here to access our prebuilt search for this title on Biblio |
Contents/Synopsis: In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. This book refuses this all too common approach by looking instead at the intersections and contradictions between sexuality and gender in the early modern period. It proposes that desire and anxiety together constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing "masculine" and "feminine" sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. Taking heterosexuality and homoeroticism equally seriously, this is believed to be the first book to present a non-normalizing account of the unconscious and institutional prerogatives that comprise the erotics of Shakespearean drama. It does this by employing feminist, psychoanalytic, and new historical methods, using each to interrogate the other; and as a result the book implements a long overdue synthesis of the psychic and the social, the individual and the institutional. This book should be of interest to students and lecturers of Shakespeare and Renaissance literature Chapters: Part 2. Erotic Possibility About the Author: At the time of publication, Valerie Traub was Assistant Professor of Renaissance Drama and Gender Studies at Vanderbilt University |
1992, Routledge, hbk 1992, Routledge, pbk |
1994, The Japan Library (Curzon Press), pbk Sorry, sold out, but click image above to access prebuilt search for this title on Amazon Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay Click here to access our prebuilt search for this title on Biblio
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About the Book/Synopsis: In 1991 was published 'Britain and Japan, 1859-1991: Themes and Personalities', which was edited by Hugh Cortazzi and Gordon Daniels. This book marked The Japan Society's centenary and the Japan Festival in the UK in 1991. The basic intention behind this book was to pay tribute to all those figures who had contributed something special to the Anglo-Japanese relationship and understanding; in particular the focus was on those connected with the Japan Society and took the form of pen portraits. These pen portraits included some strong personalities, but the book ended up omitting many other personalities that qualified for inclusion and so follow up work was commenced by a sub committee to publish a further set of portraits and they were tasked with choosing the new inclusions. Some of the guidelines stipulated that there be a balance between British and Japanese and that more women should feature. Figures from all sorts of different professions and industries are represented such as journalists, diplomats, engineers, politicians, bankers, missionaries and literary figures. You can group some of the essays in the book and the first group (chs. 1-7, 14) looks at the Bakumatsu and Meiji periods, where we find evidence of British fascination with the 'progress' and 'reform' that Japan had undertaken and similarly Japanese fascination at the 'progress' which Britain and other countries in Europe had made and the willingness to learn from precedent. The volume contains the experiences of nationals of one country who spent time (no matter how long) in the territory of the other, interpreting what they saw and understood for their fellow countrymen. The second group of essays (chs. 8-13,16), concerns itself with the period of the Anglo-Japanese alliance, which was a naval alliance lasting from 30 January 1902 until it was ended with the ratification of the Washington Four-Power treaty on 17 August 1923. The third group (chs. 3, 6, 16-18) reflects the decline in Anglo-Japanese relations in the 1920s and 1930s. The last group deals with Britain's approach to Japan after the war, concentrating first on the teachers (chs. 19-22) Contents/Chapters: |
Other Ian Nish Books of Potential Interest: |
1999, The Japan Library, pbk In stock, click to buy for £19.75, not including p&p Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay Click here to access our prebuilt search for this title on Biblio
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About this book/synopsis: The period this book covers is longer than the preceding two volumes, starting in the late 18th Century, almost before you can talk about modern Anglo-Japanese relations existing, with the biography of one of the least-known of the Royal Navy's great surveyor-explorers, William Broughton, whose accounts of the Ainu people and of the Kurile Islands in 1796-1797 are still of interest today. His account of his visit to Korea is similarly still of value. There are fewer politicians in this book; and it has a more sombre feel, showing the tensions in the Anglo-Japanese relationship of the 1930s. The book ends up in modern times (late 1990s) with the theatrical producer and interpreter of Shakespeare, Ninagawa Yukio, and with the continuing story of rugby in Japan Portraits included are: Notes; Index |
Britain & Japan � |
2002. The Japan Library, pbk Sorry, sold out, but click image to access prebuilt search for this title on Amazon Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay Click here to access our prebuilt search for this title on Biblio
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About the book: This is the 6th volume published for the Japan Society devoted to the lives of people who have contributed in various ways to the development of Anglo-Japanese relations. This volume covers diplomats; businessmen;engineers & teachers in Meiji Japan;Scholars & Writers; Photographers, Judo Masters & Journalists; and 'An Aviator & Two Themes' After this volume, there followed three volumes of 'Biographical Portraits', which of course preceded this, Volume 4, in the Biographical Portraits series. Ian Nish edited the first two volumes; and then Jim Hoare edited Volume 3. In 2001, Hugh Cortazzi published the fifth volume on this subject area for the Japan Society: Japan Experiences - Fifty Years, One Hundred Views: Post-war Japan Through British Eyes (Japan Library) Table of Contents/Biographies included: Part 2. Businessmen Part 3. Engineers & Teachers in Meiji Japan Part 4. Scholars & Writers Part 5. Photographers, Judo Masters & Journalists Part 6. An Aviator & Two Themes Notes; Index |
Other Britain & Japan Biographical Portraits Volumes: Volume 1 Volume 2 Volume 3 |
1996, Zed Books, pbk In stock, click to buy for £13.55, not including post and packing Alternative online retailers to try: Or click here to access our prebuilt search for this title on Alibris Or click here to access our prebuilt search for this title on Ebay Click here to access our prebuilt search for this title on Biblio
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About this book/synopsis: This book writes back the presence of South Asian youth into a rapidly expanding and exuberant music scene; and celebrates this as a dynamic expression of the experience of diaspora with an urgent political consciousness. One of the first attempts to situate such production within the study of race and identity, it uncovers the crucial role that South Asian dance musics - from Hip-hop, Qawwali and Bhangra through Soul, Indie and Jungle - have played in a new urban cultural politics. Beginning with theoretical understandings of South Asian cultural representation that move beyond outmoded essentialist accounts, contributors go on to narrate the formation of South Asian expressive culture coming out of the highly charged context of UK Black politics. The book then looks at the antecedents of political South Asian musical performance, anti-racist organizing and problems of alliance with the white Left. The final part engages with the movements and translations of cultural productions across the world, particularly in the fractured spaces of a post-colonial Britain in decline. In opposing all-too-easy 'world music' categorizations, the contributors demonstrate throughout how the liberal alibi of multiculturalism can be challenged across the line of music and politics. The book as a whole is committed to political engagement that does not reduce popular culture to the scrutinized Other or simply celebrate new expressive cultures as fragmented and hybrid. For a Black politics, this book is required reading for students and academics in cultural studies and social theory; as well as for everyone engaged in anti-imperialist, anti-racist struggles. Chapters: PART ONE: SPACE AND ARTICULATION 2. Noisy Asians or 'Asian Noise'? PART TWO: EXPRESSIVE STYLES 4. Remixing Identities: 'Off' the Turntable 5. Psyche and Soul: A View from the 'South' PART THREE: ENGAGEMENTS AND ENTANGLEMENTS 6. Re-Sounding (Anti)Racism, or Concordant Politics? Revolutionary Antecedents 7. Repetitive Beatings or Criminal Justice? PART FOUR: PHANTASMAGORIC TERRAINS 9. New Paths for South Asian Identity and Musical Creativity References |
Hardback: Paperback: Music and Politics |
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